“In a triumph of art, science and architecture, Argentine artist Tomás Saraceno’s site-specific exhibit 14 Billions scales a Black Widow’s web up to magnificent proportions. Currently on display at Stockholm’s Bonniers Konsthall, 14 Billions is an extension of the work he showed at the 2009 Venice Biennale called ‘Galaxy Forming along Filaments, like Droplets along the Strands of a Spider’s Web.’

“The Frankfurt-based artist worked in collaboration with astrophysicists, architects, engineers and spider researchers to create a stimulating series of installations with 14 Billions as the focal point. A massive undertaking, the project took two years to complete with the black rope spanning 400 cubic meters, consuming much of Bonniers Konsthall main gallery.

“Saraceno’s work looks to scientific study which uses the imagery and structure of spider webs to map the origin and structure of the universe. Referencing these studies, the sculptural pieces explore the delicate balance between ourselves and the earth.” (source: Cool Hunting)

posted by: Harold Johns III

From the Organizers:
“Featuring work by some 14 artists and collaboratives, Mythmakers embodies the youthful, make-your-own-fun, do-it-yourself-and-together spirit of the Kansas City art scene. Organized by artist/curator Megan Mantia, the densely packed exhibition will showcase a cross-section of emerging artists who place themselves at the center of their work, constructing mythic personas and fantasy narratives that fuse autobiographical aspects with illusions of grandeur, typically with a sizeable dose of humor thrown in as well.

“While expressed through diverse media and formats, this personal mythmaking frequently involves performative elements, which this exhibition will emphasize. Opening night will feature ’scheduled activations of personalities and installations,’ says Mantia, who also notes that the collaborative nature of many of these artists’ work will encourage audience participation.

“‘These artists offer sharp pop-culture commentary, and are proud of their Midwestern origins,’ writes Mantia, who is herself a member of Rah! Booty, Whoop Dee Doo, and Ssion. ‘They start with something personal, and twist it until even the oddest attribute is admirable and accessible. Most distinctively, this art takes fantasy and fabricates it for interaction — each artist involves the community in their work, and lavishes thought and attention on their potential audience. And all of these artists work fast and energetically- the excitement is in trying to keep up.’

“Featured artists include Megan Mantia, Drew Bolton, Spencer Brown, Cody Critcheloe, Kyle Devine, Ariel Hart, Hooliganship, Lamano, Dustin Maberry, Rah Booty!, Leone Anne Reeves, Elisha Stetson, Ryan Tacata, Jaimie Warren + Ariel Williams.”

Location: Charlotte Street Foundation (1828 Walnut, KCMO)
Opening with special performances: Friday, November 20 from 6-9pm
Exhibition on view: November 20, 2009 – January 2, 2010
Hours: Thursday + Saturday, 12-5pm

posted by: Tricia Rock

Check out our video from the opening of I Think We Are Making Progress at Wonder Fair Art Gallery (803 Massachusetts in Lawrence, KS). The show, which features 25+ local artists and affordable pieces, runs through December  6.

posted by: Tricia Rock

This Saturday, November 14 Wonder Fair Art Gallery (803 Massachusetts in Lawrence, KS) presents I Think We Are Making Progress, framed and unframed works by 25+ local artists. The opening will be held from 6-9pm with musical sets by Fortuning, ET & T and Bear Bar BBQ Club and spoken word by Artist as Wizard Aaron Storck. The show runs through December 6 with all work priced under $125 just in time for the holidays.

Lee Piechocki

Exhibition Essay by Alaska Noyes:
“This title exudes optimism but with a tinge of skepticism. It offers the possibility of forward movement but with a little self-doubt. In this title there is a desire, but also an uneasiness to fully commit to the belief that we are indeed making progress. Maybe this is because progress implies linearity – a destination, a place, moment, or mindset that we can progress to. But really, where are we going, where do we want to be?

“Eric Dobbins, co-curator of this show, asked me if I would be willing to write an essay of sorts – something to get the ball rolling, to help figure out what this show was going to be. A title had not been declared yet and this seemed like a logical place to start. We batted around potential titles through email correspondence, starting off the top of our heads with no clear direction in mind. The first few titles were absolutely wrong, but as we continued to email back and forth they began to materialize into something that could work. I wrote Eric back in an encouraging tone, “I think we are making progress.” And that was it. Looking back on it I am not sure if we were in fact progressing – we had gone from Hangin’ At The Park to Introducing: Tiger Baby? This, at best dubious progression and its culminating aha moment, seemed to be an accurate reflection of the art making process itself.

“Art is notoriously subjective, occupying a facet of our culture that is constantly in flux. The very definition of art continuously being pushed and pulled by internal and external forces – history, theory, economics, politics, philosophy, sociology, etc. Part of the very fabric of contemporary art is a self-reflexivity, the desire to question and deconstruct its own meaning and purpose. Artists and theorists have worked hard over the last hundred years to blow the field wide open. Anything can be art and everything has been done. We are at a point where it is very difficult to gauge anything – what is good and what is bad, what is progression what is regression.

“So we make stuff and put it out there in this vast expanse. We work off the top of our heads, from hunches and whims. We grab on to threads of art history and theory that seem to make sense to us and let them pull us along. We collect bits of pop culture, science, technology, politics and other such detritus along the way. We push this through the filter of our own personal history, quirks, fears, ethics and proclivities. And we make stuff. We take little baby-steps to… somewhere, and maybe we progress, although maybe not. It’s the journey and not the destination anyway, right?”

Maria Calderon

Participating Artists:
Jason Barr, Chris Bostwick, Thayer Bray, Alicia Kelly Carr, Maria Calderon, Kelly Clark, Christa Dalien, George DeMoura, Eric Dobbins, Tim Dwyer, Barrett Emke, Danny Gibson, Amber Hansen, Andrew Huffman, Hannah Hurrle, Amy Kligman, Kenneth Kupfer, Bri Lauterbach, Justin Marable, Sammy Owen, Jess Owings, Estrella Payton, Lee Piechocki, Brock Potucek, Chris Rexroad, Clinton Ricketts, Aaron Storck, Bernadette Zacharias

Hannah Hurrle

Chris Rexroad

Danny Gibson

Brock Potucek

*If we’re missing any links please let us know

posted by: Tricia Rock

This Saturday, November 14 Be Moved Studio (2 E 7th Street in Lawrence, KS) presents Revealing Earth[Body] Transmissions, a multi-media art event that ties together visual and performance art exploring the constantly, although slowly changing earth and body processes. New visual art works by Alicia Kelly, Kelly Kearns, and Monica Gundelfinger are presented as well as a new performance piece choreographed and performed by Jenny Hoyt and Anne Bruce.

posted by: Tricia Rock