World-class stencil artist Logan Hicks discusses his blue collar work ethic, fatherhood, high dynamic range photography and losing a fingertip with Scion during the car maker’s Installation 5 Tour.

Learn more about Scion’s Installation Tour here

“The Locust Plague”

posted by: Brent Carter

Artist Bio:
“Judith Supine is a collage artist living in Brooklyn, NY. Supine could not speak until a month after his seventeenth birthday. He could not physically articulate words, he could only squeak and grunt. Supine often drew pictures to communicate with his family. His mom saved all of his pictures, just one of many reasons why his mom is great.

“Judith Supine uses materials that are free or at least real cheap. He uses an exacto-knife, glue sticks, cheap ugly paints and real sleazy magazines that make him sexually uncomfortable. Judith Supine gets his magazines out of people’s trash, from the public library, from the dentist’s offices, from his little sister’s magazine collection, from bankrupt porn shops.” (source: Paper Monster)

His pseudonym Judith Supine is a tribute to his grandmother of the same name.

“Swallowed” by Judith Supine

See more of Supine’s work here

posted by: Harold Johns III

National Lampoon’s Matt Zaller, specialist in the art of creepy-but-funny interviews is back. In this edition Zaller sits down with Will Arnett to chat about his upcoming role in the rather lame-looking romantic comedy When in Rome. But instead of talking about the film the conversation quickly shifts to dicks and continues to digress from there into hipsters, creeps, Scrabble, New York, weird handshakes, shoes and Dr. Scholls inserts.

If you think that’s funny, check out Zaller’s equally hilarious/creepy interviews with Jason Seigel and Matt Damon.

posted by: Brent Carter

Conor Harrington talks about being a graffiti artist in Ireland and how spray paint and oil paint can work together on the same canvas.

See more work by Harrington here
See more videos by Outsiders here

posted by: Harold Johns III

“I want a painting to look the way music sounds. I want the viewer to get lost in the painting they way they get lost in a good song.” – Dzine

“Interested in texture, layering, and the resulting tension between opposing planes, Chicago-based artist Dzine’s monumental work is replete with ‘visual excess.’ Having gotten his start in graffiti, many defining elements of his current practice reflect the impact of that early interest. The bright colors, flat abstract shapes, and massive scale of his work speak directly to his roots in street art. However, the form of his work has evolved drastically, resulting in an elaborate combination of installation, painting, and sculpture that work in unison to present a ‘kaleidoscopic and meticulous world.’” (source: Walrus TV)

See more work by Dzine here

posted by: Brent Carter