Kieran Hebden has been been applauded for his work under the moniker Four Tet for twelve years, never straying toward the conventional length and melodic calibrations most are familiar with. On his latest, There is Love in You, Hebden is all about immersing himself in the controlled electroniscape of his jazz and post-rock influenced technological abilities.

“Angel Echo” revolves around the chopped and blipped sample of delicate feminine vocals repeating “there is love in you.” The track unfolds as it adds layers in a fashion similar to a minute hand moving around a clock - the melodies expand, move and grow before you can even notice - and most of the album evolves this way. “Love Cry” starts out with dark glitchy drones layered over one another. The house drum loop comes in slowly and over nine plus minutes Hebden manipulates the layers with meticulous attention to detail. The same process of sampling the sensual female vocals is repeated again but in a way that “love cry” is manipulated to sound like “love me.” The ending effect of the song is a reward for those with enough patience to wait for Hebden’s release.

The stand out track on There is Love in You is “Sing.” More than any other track on the album “Sing” is ready at the gates with alluring blips and hypnotically dark undertones. The organic and synthetic samples are blended together in a fashion complementary to both Hebden’s folktronica experiences and his post-rock timbre. There are gentle hand claps, wooden toy drums, vocal coos and digitally tweaked samples of high bells and chimes blended in a way that resemble an evolved version of Hebden’s process on 2003’s Rounds.

Some of his more erratic, faster paced merging of unorthodox house rhythms and vast coalescing of dark undertones that identified Rounds and 2008’s Ringer would benefit the album in some spots. But There is Love in You captures Four Tet in a different perspective. It’s a new paradigm that Four Tet has reached by elevating his most salient of self-defined principals of production and tone. The album works very well for long-time Four Tet fans, and will have the same effect on newcomers willing to maintain the patience necessary to fish out the album’s multi-layerd accomplishments.

More info via Domino

Four Tet - There Is Love In Yo...

by: Bene Garcia

" />Listen to: Four Tet "There is Love in You" | The Rathaus

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Listen to: Four Tet “There is Love in You”

March 3, 2010 Art, The Rathaus

Kieran Hebden has been been applauded for his work under the moniker Four Tet for twelve years, never straying toward the conventional length and melodic calibrations most are familiar with. On his latest, There is Love in You, Hebden is all about immersing himself in the controlled electroniscape of his jazz and post-rock influenced technological abilities.

“Angel Echo” revolves around the chopped and blipped sample of delicate feminine vocals repeating “there is love in you.” The track unfolds as it adds layers in a fashion similar to a minute hand moving around a clock – the melodies expand, move and grow before you can even notice – and most of the album evolves this way. “Love Cry” starts out with dark glitchy drones layered over one another. The house drum loop comes in slowly and over nine plus minutes Hebden manipulates the layers with meticulous attention to detail. The same process of sampling the sensual female vocals is repeated again but in a way that “love cry” is manipulated to sound like “love me.” The ending effect of the song is a reward for those with enough patience to wait for Hebden’s release.

The stand out track on There is Love in You is “Sing.” More than any other track on the album “Sing” is ready at the gates with alluring blips and hypnotically dark undertones. The organic and synthetic samples are blended together in a fashion complementary to both Hebden’s folktronica experiences and his post-rock timbre. There are gentle hand claps, wooden toy drums, vocal coos and digitally tweaked samples of high bells and chimes blended in a way that resemble an evolved version of Hebden’s process on 2003’s Rounds.

Some of his more erratic, faster paced merging of unorthodox house rhythms and vast coalescing of dark undertones that identified Rounds and 2008’s Ringer would benefit the album in some spots. But There is Love in You captures Four Tet in a different perspective. It’s a new paradigm that Four Tet has reached by elevating his most salient of self-defined principals of production and tone. The album works very well for long-time Four Tet fans, and will have the same effect on newcomers willing to maintain the patience necessary to fish out the album’s multi-layerd accomplishments.

More info via Domino

by: Bene Garcia

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